Showing posts with label Irish Gods. Show all posts
Showing posts with label Irish Gods. Show all posts

Saturday, 17 March 2018

A PERFECT PADDY'S DAY


I just had to breakout and celebrate and as you can see Hazel over did it ... !



The best of Irish Ale - BlackDonkeybeer.com



With this Lady backing us how could we lose...



THE  GRAND SLAM TROPHY HELD ALOFT
IRELAND 24 - ENGLAND 15



These lads came on as Champions and left as IRISH GODS !



Members of the disappointed English team.


Tuesday, 19 July 2016

On The Road Again.

The other day we wended our way across the landscape, seeking out places to explore and photograph.
I felt duty bound to amend for the statue of last week. So our first stop was on the banks of Lough Owel in Co. Westmeath, a Lughnasadh site where horses were ritually bathed in it’s waters. 
Today it is the home of a beautiful statue, created by Linda Brunker, that stands proudly over looking the lake.

The Children of Lír




The rich aroma of freshly made coffee wafted across the car park and as I turned I saw a three wheeled vehicle, complete with full sized coffee machine in the back. Two double shot expressos were ordered and quickly served by the camera shy operator. 




Revitalised we headed to our next stop which, according to Mrs H’s research, would provide us with some rich material. I misdirected her on to a very narrow country road, which was not without interest, for there were two donkeys on the lawn of an empty house.



We finally arrived at Abbeylara where Mrs H found a holy well and visited the ruin of the Cistercian Abbey and I spotted a jolly gardener in the school grounds.

The Jolly Gardener.


Cistercian Abbey.


Onwards then to Ardnacliffe, Co. Longford and to Lough Gowna, 
‘the lake of the calf’. The name comes from a legend about a supernatural calf which escaped from a well and raced northward with a stream of water following it. The flooded area became the lake and the mysterious calf is said to still live beneath the waters.

Not a calf but a horse visiting the waters at Lough Gowna.


We parked on the banks of very attractive small lake- Lough Leebeen known as 'the lake of the small fish' possibly the Stickleback. It sits quite literally on the outskirts of the village. 

The tranquil Lough Leebeen.


Turning for home our next stop was at Ardagh to see the beautiful statue of Midír and Etain by the artist Éamonn O'Doherty. 
For an account of their story see the Lady Gregory version here:


Midír and Etain









Monday, 27 April 2015

" And Now The Weather " - Agus Anois An Aimsir

The other day a small package arrived in our letter box. I could say that it was a surprise but that is not strictly true for a good friend gave me fair warning to expect a copy of his latest CD in the post.

Recently we put aside the mundane and gave ourselves time to listen to the music of
Colm Mac Con Iomaire's new album "And Now The Weather" which I can best describe as a medley of melodies whereby the tidal movements of the Celtic Sea carry the listener to experience audible depths of beauty that stir the emotions.
It is magical.

The CD comes in no ordinary packaging for it is well designed and tactile. One can feel and see the waves of the sea on the cover. The golden image of a boat was inspired by the one the found in the Broighter Hoard, Co. Derry and it is considered to be a votive offering to Manannán Mac Lír, the sea god.

The inside of the gate-fold cover complements both the front cover and Colm's music
with two small gold discs similar to a pair discovered in the roots of a tree at Tedavnet in Co. Monaghan and dated as Early Bronze age.

Under the CD lies a surprise for there is a large gold disc created by the covers' designer, artist Sheila Mac Nally.

 "Agus Anois An Aimsir - And Now The Weather" is truly a delight both musically and visually.


Card and front cover of
And Now The Weather
Agus Anois An Aimsir


Inside of cover


The man himself and his music

Please visit the links below



Wednesday, 4 February 2015

Documentary - Lugh

Lugh
The illustration above can be purchased
as an A5 Art Card from
http://theeverlivingones.blogspot.ie


About two years ago I, along with my druid grove, took part in the making of a documentary film about Lugh, the Irish God Of Light, the theory being that he came as a comet appearing in the western sky. This concept is explored in the film made by Tile Films of Dublin.

                             You can watch the film Déithe na Spéire (OS & GS)

 on tg4.ie tonight at 21.30pm.

Enjoy !                              


© tg4

Saturday, 24 January 2015

Plain Crazy

It never ceases to amaze me of how some peoples ridiculous actions can cause so much hurt in the community. Such as the destruction and removal of  a mythological statue of Mannanán Mac Lír over looking  Lough Foyle

It is probable that fundamental christians are to blame for the removal, given that a cross with the words of the first commandment on it was left behind. Shame on their ignorance for there is I believe another commandment about 'stealing'


Sunday, 6 July 2014

IRISH GOD OF LIGHT

For approximately ten months I have been holding a secret about taking part in a section of a documentary film concerning the Celtic god, Lugh. The druid grove to which I belong celebrated Lughnasadh in foothills of the Slieve Bloom Mountains and the production company who engaged with us, TILE FILMS of Dublin, were patient and respectful of our ways.



The film crew in discussion.


All of this began when a good friend of ours, the folklorist Dr Jenny Butler asked how would we feel about the grove being filmed at one our rituals. After deliberation we decided to take part in the film as we felt that it would be a unique blend of Irish mythology, sacred sites, archaeology and scientific exploration. 
We normally do not allow sightseers to watch us, preferring to maintain the privacy of members and not to be distracted by camera flashes, so it was a major decision for us to give permission for the filming.
We stipulated that the camera crew could not enter the circle whilst we were celebrating the actual ritual; however, we were willing to re-enact whatever sections they wanted to record afterwards.
The traditional Lughnasadh site in our area is on Arderin (Height of Ériu) in the Slieve Bloom mountains however, after surveying the area with the production team a few weeks prior to filming we chose to work at Tobar Lugna (Lughna's Well) in the foothills, near to the village of Cadamstown. This location fulfilled all of the requirements having light, silence and easy access for all concerned.

It was at this site that our pre-christian ancestors venerated the clear water at the well which is still believed to hold a cure for eye ailments. Later, in christian times, the oratory of the little known St. Lugna was built here, the remains of which can still be seen.


Dr. Jenny Butler.



Filming started at 10.00 a.m. and for Fred, our oldest druid, a good few hours earlier  when he and the film crew visited a Bronze Age burial mound in a valley on the eastern slopes of Knocknamann (Hill of the Women), which was a Bealtaine ritual site. Beneath it's western slopes sits the small town of Kinnitty in Co. Offaly where the lads had lunch prior to our arrival on site at 2.30 pm.


Twelve druids, seven women and five men, from the four provinces of Ireland, assembled on a level piece of land where the earth energy was strongest. We were bordered in the north by a line of whitethorn trees, in the east by a stand of old ash trees and in the south on a higher level, the remains of the oratory, whilst below us to the west, flowed the waters of the well.
Our preparations began by dressing the well with flowers, followed by placing on the land the first fruits. We went silently down to the well and walked around it sun-wise nine times before a woman druid filled our cup with its water and led us back up to the harvest.
We circled the earths' fruits and in silence constructed a sphere of energy combining the realms of Sky, Land and the Watery Underworld and went on to celebrate Brón Trogaine.



The Owl Grove druids chat while film crew align...
©2013 Colin Russell. 


The original name for Lughnasadh was Brón Trogaine (pronounced Brune Trown) which means something like 'the earth sorrows under its' fruits' and describes the earth giving birth to the harvest. The name for this festival changed later to Lughnasadh when it was attached to the god Lugh with the 'nasadh' part of the word meaning games or assemblies.
Lughnasadh was the time when the great gatherings of the tribes were held and presided over by the local king. The most well known one was at Teltown in Co. Meath where Lugh was said to have introduced games and horse racing in honour of his foster mother, who died there. These Lughnasadh gatherings were also a time for trial marriages and law making.



Fruits of the Earth

In nature Lughnasadh marks the appearance of the first fruits of the year and in ancient times, when people relied on food collected in the wild, it began the start of the harvest season.
In Ireland the festival was often celebrated at high places where the land was seen to meet the sky and the goddess to meet the god. These places also gave a view of the surrounding landscape and other peaks where Lughnasadh was being marked. It is thought that the ancient pagan celebrations took the form of offerings of grain, flowers and berries to the gods. 



The dressed Tobar Lugna

Today, we druids celebrate this time with a ritual to honour the goddess of the land, Ériu and her gifts to us, the harvest of fruit and crops. We also honour Lugh the god of light.
Our ritual connects us to nature and to the spirits of the place and in silence we take time to listen and harmonise with each other. A powerful part of our ceremony is the sharing of water from the well when the cup is passed around the circle.
Later the grove members share what Lughnasadh means to them individually and what each hopes to harvest in their lives. 
Our ritual ends as we kneel to place our hands upon the earth.

A great source for information about the celebration of Lughnasadh in Ireland is Máire MacNeill's book 'The Festival of Lughnasa'


An interview with Mel after the film.


Lugh 
The derivation of Lugh may have its roots in early words such as leuk, 'light', or lug, oath. In myth his titles include Lámfhada, 'Long Arm'. Samhildánach, 'Equally Skilled in Many Arts' and Lonnbeimnech, 'Fierce Striker'. The Milky Way was once known as Lugh's Chain and these descriptions suggest that in Ireland he was not viewed as a sun god rather he was associated with light, the night sky, lightning and storms.
Summer storms, when lightning strikes the land, was welcomed by farmers as it increased nitrogen in the soil thus producing an better yield of crops, so Lugh as the 'Fierce Striker' would have been welcomed by the community.
Another title of Lugh, found in old manuscripts is 'Lethsuanach' meaning he had "red colour on him from sunset to morning" and he is described in one story as "coming up in the west, as bright as the sun, with a long arm", leading Prof. Mike Baillie to suggest that Lugh was in fact a red comet which appeared over ancient Ireland.

An article by Prof. Baillie



An early announcement of the film was published on the web site Wildhunt:

A short and interesting clip of the film can be seen now on the Smithsonian Channel titled Sacred Sites Ireland and the full film will be screened on Monday 7th July 8pm US time on the Smithsonian Channel http://www.smithsonianchannel.com/sc/web/home

Sunday, 15 July 2012

BIRR - revisited


The Birr Civic Offices & Public Library are housed in a revitalised Gothic building that was formerly owned by the Sisters Of Mercy and designed by A.W.N. Pugin.  The library holds as part of it's treasures an illuminated copy of the Macregol Gospels, the original of which was written in 800 AD in Birr and now sits in the Bodelian Library in Oxford, England. Incidentally 2012 is the bicentenary of the acclaimed architect who works span England & Ireland



The former convent has an internal cloister and the south-eastern cloister has been extended into an internal quadrangle to provide an exhibition & tourist information area. The extension consists of a frameless glazed roof, which is supported by a masonry wall within which six old stained glass windows have been restored and relocated. The overall ambience within this building needs to be experienced to be properly appreciated, for there is so much peace and tranquility present that it as if the former occupants were still in residency.



Dr. John Feehan & Bernie in discussion



Maid, Mother & Crone (Cailleach)



Fred salutes a Lady



A profound conversation perhaps ?



Everywhere it is the paintings that sit as
silent witnesses to conversations


To read the opening speech by Dr John Feehan please visit http://theeverlivingones.blogspot.ie/

Sunday, 27 May 2012

Jane's Exhibition

It is with great pleasure that am able to share the following:





About the artist: Jane Brideson was born Jane McGill in Ghana, West Africa and 
adopted her Manx grandmother's name of Brideson 
(Mylevreeshy / Mac Ghiolla Brigide) when she began painting in the 1980's.
After growing up in Liverpool and on the Isle of Man, she moved to live in Ireland between the Slieve Bloom mountains and the River Barrow where she shares a cottage with her husband, Mel, their dog and several cats. 

Jane has an honours degree in graphic design and a diploma in client-centred art therapy. 
Whilst in London she worked as a freelance designer / illustrator for the Observer newspaper and Hodder & Stoughton Publishers. 
In 1997 she collaborated with Teresa Moorey to produce their book 
"The Wheel of the Year : myth & magic through the seasons". 

She loves Ireland and the Irish mythology, the power of images, books and music to transport us to other worlds and the occasional pint of Guinness.

In 2006 she was inspired by a dream to begin painting 
"The Ever-Living Ones" and along the way found help, support and knowledge.

Without the following people this exhibition would not have been possible:
Mel Llwyd, Fred Mathews, Michael Collins, Seán Gilmartin, Fiona Young,
 Áine-Máire Ní Mhurchú, Siobhán ní Ghabhann, Shirley Swan, 
Marie O'Dwyer, Seámus Ó Ceallaháin, Antoine O'Lochlainn, Carole Larkin, 
Trish Keating, Gearóid Ó Crualaoich, Eoghain Mac Connell, Flor Burke, Seánie Larkin, Carmel ní Dhuibheanaigh, Bill & Peggy Sinnott, 
James Crowley, Jenny Butler, Anthony Murphy, Colm Mac Con Iomaire, 
Fr. Seámus O'Duinn, the late Dáithí Ó hÓgain, Noel Reynolds, 
Suzanne Power, Æ, the contributors to "On Crow Road", Claire Tuffy at 
Brú na Bóinne, Joan & Des at Midland Framing, Mochua Print & Design, 
Joe & staff at  O'Sullivan Photography, The National Museum Dublin and 
the staff at Tullamore Library.

Sunday, 28 March 2010

COOLE PARK, Gort, Co. Galway


Entrance Stone



The autograph tree in March




A Yew Arch




The script is an exact copy of GB Shaws handwriting!



COOLE PARK, Gort, Co. Galway.



The former home of Lady Augusta Gregory dramatist, folklorist co founder of The Abbey Theatre and the authoress of several books including Of Gods and Fighting Men. Who opened her home to the eminent figures within the Arts from 1896 to her death in 1932. Amongst who were George Bernard Shaw, WB Yeats, George Russell aka AE, Sean O'Casey, John Mansfield and many others.


To walk the pathways of this 1,000 acre estate, is to mingle ones energy with the spirits of those who came here in former times, to draw upon its ethos amid the woodlands and or walk the lakeside to the old boathouse. Where I sense a boatman is holding a boat ready for an excursion, while maids bring picnic hampers and rugs, as laughter and pleasant talk peel along the tree lined path..and the earthy roar of a distant tractor returns me to the present.


I am, I know not the only one who is drawn back through time, to feel and hear those notables who graced this place. WB Yeates spoke of faery's, AE of the spirits of the land, Lady Gregory collected folk stories. They too I believe imbibed on the magic of this place; just as we who visit frequently are pleasantly intoxicated by the traces they left behind.


For me to describe in great detail this place would be to spoil and impinge upon the maginations and experiences of future visitors. You have to visit Coole Park and it's autograph tree and before too long, for slowly the new growth is swallowing and taking into it's self those special signatures.


For future information visit www.coolepark.ie